1971 · Denmark
Annette Gerlif is an established mid-career contemporary artist, who originates from Denmark. Annette Gerlif was born in 1971. Artists Jeppe Hein and Jesper Just are of the same generation and same country as Annette Gerlif.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often combined with the Nordic traits of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his melancholic and extremely sparse interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in modest, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's vivid colours and lively childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Annette Gerlif
Annette Gerlif was born in 1971 and was largely inspired creatively by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became famous for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. A proliferation of trends characterised the decade, including the highly irreverent sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as evidenced by the work of artists like Felix Gonzalez-Torres.