1957 · Russian Federation
Evgeny Svyatsky is regarded as a well established artist, who originates from the Russian Federation, like other celebrated artists such as Onikiienko Anna, Lidia Fomicheva, Max Goshko-Dankov, Lev Povzner, and Victoria Lomasko. Evgeny Svyatsky was born in 1957.
Galleries and Exhibitions
Evgeny Svyatsky is represented and exhibited by two galleries, which are Noire Gallery in Turin, Italy and DIEHL in Berlin, Germany. Evgeny Svyatsky's most recent exhibition recorded on Artland was at Galería Senda in Barcelona (31 January 2019 until 30 March 2019) with the exhibition Mare Mediterraneum.
Further Biographical Context for Evgeny Svyatsky
Born in 1957, Evgeny Svyatsky grew up during the 1970s and was influenced by the artistic culture of the time. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz.
The majority of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity.
The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the generation.
Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could exist at the same time in art galleries and in urban settings. Driven by graffiti art, street art from its earliest days showed that it could endure in a perpetual flux of self-transformation, endlessly shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre.
Across the globe, various movements defined the 1970s. Amongst others, feminism and the innovative radical ideologies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, prominent artistic figures of New York city started to embrace painters and sculptors from Latin America.
The Arte Povera movement, which appeared in Italy, received global distinction in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were critically acclaimed.
The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.