Titled, Wūshuǐ, the exhibition makes the unlikely connection between political ideologies and representations of the landscape. Across cultures and history, the landscape has been represented in painting, drawing and photography but is by its nature nearly always considered innocuous. When a landscape is painted by Winston Churchill, used as a symbol of national pride or mislabelled however it can become more divisive. The exhibition title Wūshuǐ – meaning polluted water – is a bastardization of the Chinese phrase Shan Shui or ‘mountain water,’ a style of landscape painting in Taoist painting tradition that refers to ideas of purity. Through this lens Pouyan draws connections across history and cultures to create a series of works that stand as laden metaphors.