Time Runs Through The Darkest Hour

Time Runs Through The Darkest Hour

Beginning with distressed paper, abused by stones and nails and rubbed with oil, Lambkin’s destabilized planes spawn hallucinatory series of entangled biomorphic figures, liminal flora and fauna that appear uninvited in his endlessly reconfiguring landscapes. Emerging from a general malaise of despair, the whimsical mischief of Lambkin’s earlier creatures have here shifted towards a more macabre meditation on ecological fragility, with the artist as a conduit for a real, rather than fantastic inner world. Embryonic forms proliferate upon flooded gyres, earthly delights in apparent acceptance of the wreckage and disintegration they have been thrust into.

Time Runs Through The Darkest Hour

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