Tables, Carpets & Dead Flowers
Taking inspiration from Rodney Graham’s ‘Dead Flowers in My Studio’ (2009) and Dieter Roth’s Tischmatten, ‘Tables, Carpets & Dead Flowers’ examines the chance encounters between artist, artwork and the studio space.
Taking centre stage of the presentation will be a large, four metre long carpet from Dieter Roth’s Bali studio near Reykjavik. Embedded with traces of studio life, including the scribbles and drawings from his children’s visits, this expanse of material is at once a visual document and a chance product of the artistic process itself. Formally reminiscent of works by Joan Miró or Arshile Gorky, Dieter Roth’s studio carpet is exemplary of a seamless combination of art and life. His renowned Tischmatten (table mats) can also be read as cumulative diary of the artist’s activities.
Following on from this line of inquiry, a selection of Paul McCarthy’s White Snow monochromes from 2012 will be on view. Originally these were pieces of plywood which covered the artist’s studio floor during the creation of his White Snow Forest film set and installation. By catching the remnants and residue of the fabrication process, McCarthy’s monochromes become documents of the work’s journey from the studio floor to the gallery wall.