Alicia Piller uses sprawling and knotted fields of latex and vinyl in her installations and wall works. The combination of raw materials, photographs, and news clippings twist together to form a kind of fragmented mirror of the current state of America. Her work references the trials and tribulations of this country's history and offers optimistic glimpses of a possible future with bright colors that show signs of life and proliferating forms that show signs of growth. Piller weaves into the work references to nature, family, capitalism, colonialism and industrial production in pieces that span the personal and the political.
One of the primary works in the exhibition, Bulging veins. Stately being in its forthright mood, mottled with a tortured history., is a wall-sized mandala, a cluster of swirling bright green, blue and red latex and vinyl. Throughout the colorful forms are embedded photographs of flowers and plants. At the center is a slowly decomposing cue ball, a sphere not unlike our endangered planet.