Solo exhibition

Solo exhibition

For his fourth solo exhibition at 303 Gallery, Nick Mauss has brought together works from the past several years that have never been exhibited, underscoring the primacy of drawing and its temporalities within the continuum of his work in other dimensions and mediums. Mauss also reimagines the threshold to the exhibition itself as an image plane on the scale of the body, inserting a set of painted doors that dramatize the viewer’s passage through the space, even implicating the viewer among the shifting frames, recurring figures, and points of contact set off in Mauss’ work. As art historian Gloria Sutton has written, Mauss’ work is “not simply about the movement of bodies but, rather, movement itself as a historiographic condition—a set of narrative frameworks used to interpret both proximity and distance and the transitions that occur in between. The ways bodies come together (as multitudes, constellations), as objects (collections), as fields of knowledge (disciplines), and commensurately, the ways bodies move apart, separate, retreat, and withdraw via diverse pressures (including acts of erasure and disavowal) within the current moment and throughout history remain of equal and pressing import.”

Solo exhibition

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