Machines do not make us into Machines

Machines do not make us into Machines

Employing an architecture of colourful and abstract forms, Morris’s paintings play on the viewer’s sense of visual recognition. She incorporates a wide range of references, from the graphic identity of multinational corporations and the structure of urban transport systems to the iconography of maps, GPS technology, as well as the movement of people within urban areas. Morris sees her paintings as being part of a larger self-generating system, always remaining open and allowing for interpretation, motion and change.

Machines do not make us into Machines

  • White Cube | Bermondsey's Exhibitions 10
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