LOVERS AND FIGHTERS
Vojtěch Kovařík’s debut UK solo exhibition unveils a new series of paintings in which figures from Greek mythology, classical literature and modern culture come together to blur the boundaries between these two eponymous archetypes.
This new body of work sees Kovařík depart from depictions of Hulk-like muscle men locked in combat, instead inviting the viewer to engage with these figures as ‘lovers’ as well as ‘fighters’, thereby questioning traditional notions of masculinity. The phrase ‘I’m a lover not a fighter’ is also challenged, as Kovařík refutes the association of love and ‘softness’, encouraging us to consider the bravery and fearlessness involved in such romantic endeavours.
The paintings continue Kovařík’s trademark monumentality, bulging bodies seemingly strain against the edges of the composition and exert their physical presence within the space. Hanging on chains from the ceiling is a depiction of the Greek God Prometheus, known as the true-lover of mankind, stoically enduring his torment by Zeus’s eagle; opposite a haunting yet peaceful portrait of Romeo perched upon a balcony, recalling the famous scene in which Juliet unknowingly reveals her love to him.
Each painting is characterised by mottled skin tones and textures achieved using Kovařík’s technique of spray paint and acrylic. For him, the body and great slabs of flesh and muscle offer infinite artistic interest, whereas the face, limbs and all other features of his figures are rendered in a brusque stylised shorthand. The contrast between these styles creates a brutal naivety, and an unlikely charm and sense of playfulness.