The serenity of Ha Chong-Hyun’s gestural abstraction by Alfred Pacquement
In 1972, Ha Chong-Hyun made a small sculpture, which appears on its own as if anticipating his subsequent work as a painter. It consists of a hemp rope stretched across a wooden box so tightly that a few unraveling strands threaten to break the entire cordage. Extremely effective, the composition is as simple as its material is banal. An image of great tension and resistance, it epitomizes the artist’s practice and further announces his Conjunctions, a lifelong series of paintings, which was initiated in 1974 and is still ongoing to this day.