Curated by Omar Sosa, creative director and co-founder of Apartamento, the exhibition will examine comfort versus discomfort and how this dichotomy conditions and drives human behavior, personal identity and societal norms.

Combining utilitarian objects, sculptures, photographs and paintings into a visual landscape meant to provoke engagement from the viewer, Comfort investigates comfort’s relationship to aesthetics and the tension that occurs when an object can be physically comfortable, but visually or psychologically uncomfortable, and vice versa. The exhibition looks at comfort beyond a physical state, but as a complete sensorial experience through the lens of diverse artistic interpretations of “comfort,” such as a John Chamberlain foam Couch, Nicola L’s monumental Canapé Homme Geant, and marks the first time Andrea Branzi’s rare Pigiama Armchair made for Alchimia’s bau. haus I collection will be shown in the US.

“We usually talk about comfort as a positive quality,” states Sosa. “It is an object or environment that makes you feel at ease and gives you a sense of intimacy. Comfort is often something that we think is innate but actually it only exists once we experience it. WE LIKE TO THINK THAT OUR HOUSES ARE COMFORTABLE, WE WANT OUR ENVIRONMENT TO BE SO, BUT WHAT HAPPENS WHEN YOU VENTURE BEYOND THAT FAMILIAR ZONE?”

Artists and designers on view include: Adaptive Design Association, Michael Anastassiades, Richard Artschwager, BLESS, Andrea Branzi, John Chamberlain, George Condo, Will Cotton, Nathalie du Pasquier, Simone Fattal, Nancy Grossman, Peter Halley, Kuwata Takuro, Nicola L, Max Lamb, Thaddeus Mosley, Isamu Noguchi, Gaetano Pesce, Guillermo Santomà, Peter Shire, Ettore Sottsass, Sam Stewart and Laila Gohar, Wolfgang Tillmans, Marijn van der Poll, Franz West, Andrea Zittel.


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