C. 1962

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C. 1962

exhibited paintings present male and female body parts and objects morphing together and mutating with an assortment of vessels such as paper bags, cardboard boxes and cups. The rich paint evokes a dark sexual energy, something the artist termed ‘the cosmic fuck’. The forms typically enter or emerge from one another and Lozano plays with positive and negative space to create miscellanous orifices. Lozano also invokes gothic imagery: a set of red lips, with unusually large teeth and a set of fangs is a recurrent motif. Throughout the series the crude brushstrokes seem hastily applied, lending the works a sense of urgency and volatility.

C. 1962

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