B is for Book, and in the Beginning was the word. The written word, and then the printed word; and now, the digital word.

Since the scroll became a codex in late Antiquity, artists have been associated with the published word.The illuminated manuscript stirred curlicue lettering and gilded marginalia and the artist publication is a slippery mutation of this — an ongoing investigation into the gap between visual and written language, existing outside thetic categories.

Often self-published, produced single-handedly or through a small press — B brings together pieces which reference the thingliness of the book without being confined to seriality or sequence. B marks both the collaborative and the singular, where processes and materials can consist of reams of A4 from a photocopier, stapled shut to the letter pressed and hand bound. B cuts out the middle-man.

B is an opposition to the muscular catalogue raisonne — all fur coat and no knickers. These objects are space for both the hidden and the seen; they are to be unpacked, unfolded, unfurled — offering a spine to crack or a concertina run on — turned upside down, inside out, read between the lines. Laconic or verbose — an invitation to misunderstand in the age of Information is Power.

B is a presentation of objects which could be bought or could be given away for free. Objects which could be collected, displayed, stored, hoarded, boxed. But B is also a presentation of viral objects sent out to the world, left on the tube, given to a friend who might be interested — love notes.

— Georgia Sowerby July, 2019


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