A Case for Violence to Reduce Suffering

A Case for Violence to Reduce Suffering

There are still some arguments among the experts as to when and where human pictorial representation originates, spanning from the well known caves of Lascaux dating back 17,000 years to the very recently discovered caves in Borneo, said to be over 40,000 years old. One thing they do not have any competing theories over however, is what these first pictures represent, which is almost always numerous animals and the human pursuit of them for food. The genesis of both Eastern and Western art history directly address, albeit primitively, the chasing of the game that these people knew to be their source of sustenance. As a fellow artist that also attempts to kill their own animal-based protein, this shared pursuit is the logical jump-off point for joining all of the preceding generations of creators within the canon. Since those early days the connection we have with what our food is and where it comes from has been steadily decreasing, and exponentially so when the industrial revolution merged with farming. In the early 1800’s, French chef Nicholas Appert invented canning; stackable, preserved units of animal parts ensued, and this was just the beginning. With worldwide populations booming and free market capitalism spreading like wildfire in the late 1920s, poultry became the first large-scale farmed animal. For nearly fifty years, chickens were the only factory-farmed animals, brought inside and raised in large numbers for egg production and eventual slaughter. In the 1970s however, pig farmers succumbed to the mass production process and began shifting to factory farming. Cow farmers soon followed suit and today, roughly 94% of all animals farmed for human consumption are raised on factory farms. In 1950, there were 5.6 million farms raising 100 million farm animals. In 2017, there were 2 million farms raising 9.32 billion farm animals. This relatively rapid phenomena that lead to the sacrificing of morals for profit was simply a combination of the demand for the high quality protein and the forces of the free market to prioritize efficiency and competitive pricing over the abuse of sentient beings and the environment. The work included in this exhibition takes its prompts from the personal discovery that these earliest representations found in thousands of caves from around the globe are the ONLY subject that really matters, which for them was one of survival. Contemporary humans have many options, but when one does pursue their own animal protein they find that a little door in the back of their brain they were unaware of is opened and a direct connection to these first artists is now available and easily understood.

A Case for Violence to Reduce Suffering

  • Greenpoint Terminal Gallery's Exhibitions 6

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