Description

Available in 2 different dimensions: XL24 (91X92 cm) - M24 (64X64 cm)

Max Farina is an Italian photographer whose work explores the visual impact of time changing on iconic, architectural and landscape points of view. He adopted a fragmented vision, realizing a series of “visual exhaustion” photo project called with the neologism “Cronorami”. For over 6 years, through this unique practice and endless visual stakeouts, he has been observing the cities standing still in the same place.

RIVUS ALTUS – 10.000 visual fragments from the Rialto bridge, Venice He recorded with his camera every variation of light and everything that happened, staying still for 264 hours at the same place: the centre of the Rialto Bridge, the most crowded and photographed place in Venice, facing the Grand Canal. In two years, Massimiliano Farina has caught any change, focusing his attention on the single fragments that make up the landscape, as if looking through the eyes of flies and dragonflies. The result is not a single image, but a multiplicity of images. The visual perception depends on the variable and almost infinitely changeable editing, of every single piece that make up a perfect and unstable, fascinating and ever-changing landscape: both night and day, sunrise and sunset, yesterday and the day before yesterday … Similar to puzzles, his images do not capture one single moment, but they become a perspective drawn by the time going by. They don’t interpret anything in a subjective or expressive way, but enhance the camera and its “mechanical” look, like a magical recording tool. Farina uses photography to create images that you can only get thanks to the camera and to its technological unconscious. He shatters the stereotype of Venice and offers a kind of machine à voir which invites us to see the Grand Canal as through a magnifying glass, to scrutinize the slightest details made by light and darkness, waters and skies, buildings and boats, crowds and silence…

by Gigliola Foschi

Max Farina

CRONORAMI Series | RIVUS ALTUS Venice #03

  • Medium
    Photography
  • Year
    2017
  • Size

    36.1 × 35.7 × 2 in

    91.7 × 90.7 × 5 cm

  • Material
    24 Single Floating fragments Giclèe Fine Art Print, Plexiglas® Hard Coated. Aluminum frame
  • Price
    Ask for price
  • Edition
    This is a unique work

Description

Available in 2 different dimensions: XL24 (91X92 cm) - M24 (64X64 cm)

Max Farina is an Italian photographer whose work explores the visual impact of time changing on iconic, architectural and landscape points of view. He adopted a fragmented vision, realizing a series of “visual exhaustion” photo project called with the neologism “Cronorami”. For over 6 years, through this unique practice and endless visual stakeouts, he has been observing the cities standing still in the same place.

RIVUS ALTUS – 10.000 visual fragments from the Rialto bridge, Venice He recorded with his camera every variation of light and everything that happened, staying still for 264 hours at the same place: the centre of the Rialto Bridge, the most crowded and photographed place in Venice, facing the Grand Canal. In two years, Massimiliano Farina has caught any change, focusing his attention on the single fragments that make up the landscape, as if looking through the eyes of flies and dragonflies. The result is not a single image, but a multiplicity of images. The visual perception depends on the variable and almost infinitely changeable editing, of every single piece that make up a perfect and unstable, fascinating and ever-changing landscape: both night and day, sunrise and sunset, yesterday and the day before yesterday … Similar to puzzles, his images do not capture one single moment, but they become a perspective drawn by the time going by. They don’t interpret anything in a subjective or expressive way, but enhance the camera and its “mechanical” look, like a magical recording tool. Farina uses photography to create images that you can only get thanks to the camera and to its technological unconscious. He shatters the stereotype of Venice and offers a kind of machine à voir which invites us to see the Grand Canal as through a magnifying glass, to scrutinize the slightest details made by light and darkness, waters and skies, buildings and boats, crowds and silence…

by Gigliola Foschi

Max Farina

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