1958 · United Kingdom
Zoe Beloff is seen as an established artist, who originates from the United Kingdom. Zoe Beloff was born in 1958. Some of the artist's contemporaries that are born around the same year and in the same country include Lubaina Himid, Anish Kapoor and John Akomfrah.
Galleries and Exhibitions
Zoe Beloff's work is available for viewing at Interstate Projects located in New York, the United States. Zoe Beloff most recent exhibition recorded on Artland was at Microscope Gallery in New York with the exhibition Scrapbook (or, Why Can’t We Live Together). The exhibition was open from 11 July 2019 until 18 August 2019.
Historical Context of United Kingdom
The United Kingdom has been an important hub for artistic production for centuries. While it accumulated vast wealth from colonisation and the rise of its Empire, it was also exposed to the cultural supremacy of other countries and continents. Throughout the contemporary period, Britain had been significantly overshadowed by the reputation of its European neighbours on one side, and of the United States on the other. But towards the end of the nineteenth century, Britain became an important focal point in the development of the avant-garde. This includes the Arts and Crafts Movement, a major movement setting the tone for artist-led organisations, associations and organisational co-operative types that would later become into a template of sorts for bohemian artists movements of the Twentieth Century. Important artistic movements that characterize British modernism include for example Vorticism, comprised of artists associated with the Bloomsbury group. Some significant British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley, Paula Rego - and in more recent years the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn, Chris Ofili and others.
Further Biographical Context for Zoe Beloff
Born in 1958, Zoe Beloff was largely influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the generation. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Rejecting conventional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unchanged intact.
- Galleries Representing this Artist