1987 · Belgium
Yannick Valgesto is a young emerging artist, who originates from Belgium, like other artists such as Stefan De Jaeger , Christian De Wulf, Dirk Eelen, Thomas Depas, and Studio Job. Yannick Valgesto was born in 1987.
Yannick Valgesto's Gallery representation
Yannick Valgesto's work is available for viewing at Cinnnamon in Rotterdam, the Netherlands.
Historical Context of Belgium
Bordered by France and the Netherlands, the small country of Belgium has been considerably influenced by its neighbours throughout time and asserted itself as an exciting and inventive artistic centre in the second half of the nineteenth century. Belgian art productions were crucial in the developing of Surrealism in the 1930s, primarily through the works of Rene Magritte and Paul Delvaux. Among others, Marcel Broodthaers, Wim Delvoye, Francis Alys and Luc Tuymans are key figures of the Belgian art scene of the twentieth century. Greatly influenced by Belgian artists, the Symbolist movement was a major artistic trend, early predecessor to Surrealism, and including artists such as Léon Spilliaert, Jean Delville, Fernand Khnopff and James Ensor. As the age of the avant-garde began to take place in Europe towards the late nineteenth century, Brussels turned into a hub for the Art Nouveau movement, which included the architect Victor Horta amongst its founders.
Further Biographical Context for Yannick Valgesto
Born in 1987, Yannick Valgesto was predominantly inspired by the 1990s growing up. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse collective of practitioners. Many of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an attitude that was defiant yet enterprising. Due to the large amount of media coverage that they garnered, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. The art world was influenced by a number of trends throughout the decade, and was characterised by the derisive sculpture of Maurizio Cattelan, and sensitive, conceptual advancements as presented in the work of artists such as Felix Gonzalez-Torres.