1950 · United States
Whitfield Lovell is an established contemporary artist, who was born in the United States. Whitfield Lovell was born in 1950. Also born in the United States around 1950 and of the same generation are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Whitfield Lovell is represented and exhibited by DC Moore Gallery located in New York, the United States. Whitfield Lovell most recent exhibition recorded on Artland was at conduit gallery in Dallas with the exhibition Group Exhibition . The exhibition was open from 19 July 2019 until 30 August 2019.
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural status of New York assumed primacy over Paris, previously thought of as the most significant art centre internationally. Leading art movements established and fostered in extensive ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many movements. In the modern and contemporary era, the United States has exercised a powerful influence over the visual culture of the World, due to the dominion of its economic and political institutions. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Whitfield Lovell
Born in 1950, Whitfield Lovell was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the era. Across the globe, various movements defined the 1970s. Amongst others, feminism and the innovative radical ideologies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic pillars of New York city started to embrace painters and sculptors from Latin America.
- Galleries Representing this Artist