1958 · United States
Warren Neidich is a contemporary artist considered well established, who originates from the United States. Warren Neidich was born in 1958. Born in the same country and of the same generation are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
Warren Neidich is represented and exhibited by 3 galleries around the world, in countries such as Belgium, Switzerland, and Germany. Galleries include Komplot in Brussels, Galerie Barbara Seiler in Zurich, as well as PRISKA PASQUER in Cologne. Warren Neidich is exhibited at the exhibition, On Equal Terms II at PRISKA PASQUER in Cologne, Germany. The exhibition is currently open and closes on the 07 April 2020.
Currently on Artland, two of Warren Neidich's works are available to purchase.
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural status of New York assumed primacy over Paris, formerly considered as the most powerful art centre worldwide. Leading art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many movements. In the modern and contemporary age, the United States has cultivated a strong influence over the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Warren Neidich
Warren Neidich was born in 1958 and was primarily influenced by the 1970s growing up. The art sphere of the 1970s was characterized by a desire to evolve and reinforce itself, as a reaction to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art emerged by combining essential features of Conceptualism with further reflections on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the dominant artistic figures of the 1960s remained highly influential and popular throughout the 1970s. Andy Warhol, for example, fortified his status as a legendary artist, by branching out into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such fame. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideologies of phenomenology, associated with the Mono-Ha movement, exploring and shifting the boundaries between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they aimed to create life to artworks that would accentuate the ephemeral state of these various elements and their surroundings, playing with their interdependency.