1973 · Switzerland
Uriel Orlow is a mid-career established artist, who originates from Switzerland, like other well-known artists such as David Renggli, Regula Maria Müller, Lenz Klotz, Heidi Bucher, and Fernand Léger And Wifredo Lam. Uriel Orlow was born in 1973.
Galleries and Exhibitions
Two galleries around the world represent and exhibit Uriel Orlow's work. These are Laure Genillard in London, the United Kingdom and Laveronica arte contemporanea in Modica, Italy. Uriel Orlow is at the moment exhibiting at La Loge in Brussels with the exhibition Learning from Artemisia (26 February 2020 - 10 April 2020).
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the unravelling of Modernism was the establishment of the Dada movement in Zurich in 1916. Its initial members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly became an vital centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political uncertainty elsewhere in Europe. precedingly, Switzerland had produced some quirky and distinctive artists in the Post-Impressionist era of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another essential movement that can be connected to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier might have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first independent projects were realized in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Remarkable Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Uriel Orlow
Uriel Orlow was born in 1973 and was predominantly influenced creatively by the 1990s growing up. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Conceptual photography led by German ideas and artists came to prominence. Artists such as Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained international recognition, and inspired other artists such as the Canadian Jeff Wall, who experimented with the kind of cinematic expansiveness associated with the German artists’ work. Painters like Albert Oehlen and Martin Kippenberger exerted a strong influence on younger artists.