1956 · United States
Tom Fellner is seen as an established contemporary artist, who originates from the United States. Tom Fellner was born in 1956. Some of the artist's contemporaries that are born around the same year and in the same country include Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Galleries and Exhibitions
Tom Fellner is represented by Galerie Nicola von Senger in Zurich, Switzerland. Tom Fellner's work has most recently been exhibited at Haverkampf Gallery in Berlin (09 August 2019 until 06 September 2019) with the exhibition A SUMMER GROUP SHOW.
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural importance of New York assumed primacy over Paris, previously thought of as the most important art hub globally. Leading art movements established and fostered in extensive ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern iterations of these many types. In the modern and contemporary era, the United States has exercised a strong influence over the visual culture of the World, due to the authority of its economic and political institutions. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Tom Fellner
Tom Fellner was born in 1956 and was predominantly influenced by the 1970s. The 1970s were a period of consolidation and development in the arts, most often defined as a response to the dominant stresses of the previous decade. Conceptual art emerged as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly influential figures worldwide. New York maintained an prominent position in the international art world, ensuring that global artists continued to gravitate to the galleries, bars and downtown scene there. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists including Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and ensuring that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully develop and dominate throughout the next decade.
- Galleries Representing this Artist