1973 · United Kingdom
Tom Chamberlain is an established mid-career contemporary artist, who was born and brought up in the United Kingdom. Tom Chamberlain was born in 1973. Some of the artist's contemporarie that are from the same generation and country include Banksy, Idris Khan and Annie Morris.
Galleries and Exhibitions
Tom Chamberlain's work is available for viewing at Aurel Scheibler located in Berlin, Germany. Tom Chamberlain most recent exhibition recorded on Artland was at Aurel Scheibler in Berlin (11 September 2019 until 25 October 2019) with the exhibition Morendo.
Historical Context of United Kingdom
Through colonisation and the consequent ascent of its Empire, the United Kingdom reached the status of a giant, although the wealth and economic power did not shelter it from the apparent cultural supremacy of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a rather significant degree outshined by their respective impact on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and crucial agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led organisation of the twentieth century. Vorticism is a noteworthy movement, fundamentally distinctive of British modernism, it involved artists renowned for their association to the Bloomsbury group. A few critically remarkable British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Tom Chamberlain
Tom Chamberlain was born in 1973 and was largely inspired creatively by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this idea.
- Galleries Representing this Artist