1974 · Denmark
Thomas Øvlisen is a mid-career contemporary visual artist, who was born and brought up in Denmark. Thomas Øvlisen was born in 1974. Some of the artist's contemporarie that are from the same generation and country include Jeppe Hein and Jesper Just.
Galleries and Exhibitions
Thomas Øvlisen is represented by two galleries, which are V1 in Copenhagen, Denmark and Klaus von Nichtssagend Gallery in New York, the United States. Thomas Øvlisen's work has most recently been exhibited at V1 in Copenhagen (16 August 2019 until 13 September 2019) with the exhibition Variations In Blue.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often mixed with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and lively childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Thomas Øvlisen
Born in 1974, Thomas Øvlisen's creative work was predominantly inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most famous member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an attitude that was defiant yet entrepreneurial. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this agenda.