The Estate Of George Rickey
1907 · United States
The Estate Of George Rickey is seen as an established contemporary artist, who was born and brought up in the United States. The Estate Of George Rickey was born in 1907. Also born in the United States around 1907 and of the same generation are Franz Kline, Walker Evans, Lee Krasner, Willem de Kooning and Arshile Gorky.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural prominence of New York assumed primacy over Paris, formerly considered as the most powerful art hub internationally. Major art movements developed and fostered in important ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary age, the United States has cultivated a strong influence over the global visual culture, due to the dominion of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for The Estate Of George Rickey
The Estate Of George Rickey was born in 1907, grew up during the 1920s and was influenced by the artistic culture of the time. Significant artistic innovations that had been established in the earlier part of the 20th century continued to be matured during the 1920s and 1930s. During this period the careers of a number of inspiring and pioneering artists began to blossom, yet at the same time there was an atmosphere of reflection and solemnity following the horrors of the First World War. Significant shifts in politics were taking place worldwide, and Marxism took a strong hold as an ideology amongst artist groups and communities. Due to its cultural importance, Surrealism spread as an philosophy on an international scale, and became the leading theme of the pictorial arts in the 1920s. The Bauhaus movement developed during this time and focused on a unification of all modes of art, working towards the idea of the ‘Gesamtkunstwerk’. The liberal politics of the Weimar Republic in Germany enabled this movement to blossom and flourish and develop further.