1947 · United States
Terry Rodgers is a contemporary artist considered well established, who was born in the United States. Terry Rodgers was born in 1947. Also born in the United States around 1947 and of the same generation are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Terry Rodgers' work is on display in two galleries, which are Aeroplastics in Brussels, Belgium and TORCH in Amsterdam, the Netherlands. Terry Rodgers most recent exhibition recorded on Artland was at TORCH in Amsterdam (15 November 2019 until 27 December 2019) with the exhibition Sweet Illusion.
Historical Context of United States
The United States, in particular New York city, remains as a central point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art hub emerged in the post war era, and the city succeeded in affirming its dominance over Paris, which used to be considered as the most powerful global art centre. The authority of the political and economic structures of the United States in the modern era has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are essential art movements that blossomed in the United States. These very movements also echoed into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Terry Rodgers
Terry Rodgers was born in 1947 and was predominantly influenced creatively by the 1960s. Historically established in the context of the Cold War, the 1960s represent an extremely influential era which engendered a significant number of disruptions and questioned the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, predicaments such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society followed, with ground-breaking values and movements evolving in a cradle of innovation. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, clean lines and geometrical elements. Digging further into some of the concepts inherent to Abstract Expressionism, artists like Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with a fundamentally ruled-based approach, devoid of any expressive aspect. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. globally, an important number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.