1956 · United States
Stephen Lapthisophon is an established contemporary artist, who was born and brought up in the United States. Stephen Lapthisophon was born in 1956. Some of the artist's contemporarie that are from the same generation and country include Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Galleries and Exhibitions
Stephen Lapthisophon's work is on display at conduit gallery located in Dallas, the United States. Stephen Lapthisophon most recent exhibition recorded on Artland was at 214 Projects in Dallas with the exhibition FREE DICK HIGGINS. The exhibition was open from 27 September 2019 until 04 October 2019.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural prominence of New York asserted its influence over Paris, formerly thought of as the most important art centre globally. Leading art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variations, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary era, the United States has cultivated a powerful influence upon the visual culture of the World, due to the hegemony of its economic and political institutions. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Stephen Lapthisophon
Born in 1956, Stephen Lapthisophon's creative work was primarily influenced by the 1970s. The art sphere of the 1970s was characterized by a wish to grow and reinforce itself, as a reaction to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative journey of Process art emerged by combining essential elements of Conceptualism with further considerations on art itself. The initial ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its status, predominantly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists drifting through the downtown scene, visiting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and refined cultural capital. Reaching the end of the 1970s, street art, evolving from graffiti, was starting to truly mesmerize the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, demonstrating that their artworks could subsist at the same time in art galleries and in urban settings. Following, the global extent of street art would become extremely influential, representing an astonishing form of artistic expression.
- Galleries Representing this Artist