1947 · Denmark
Stephan Rostrup is seen as an established contemporary artist, who was born in Denmark, like other celebrated artists such as Anders Bülow, Claus Olsen, The Keld, Jan Wessel, and Anne Tholstrup. Stephan Rostrup was born in 1947.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, which borders its southern limits. This sensibility is often combined with the Nordic traits of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in modest, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Stephan Rostrup
Born in 1947, Stephan Rostrup was as deeply indebted to the events of the 1960s as their formative influences. Historically set in the context of the Cold War, the 1960s symbolize an extremely powerful era which engendered an important number of disruptions and challenged the order of all things. In Europe, The Iron Curtain and the Berlin wall would permanently mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society followed, with revolutionary philosophies and movements evolving in a cradle of innovation. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, pure lines and geometrical elements. Exploring further into some of the concepts inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – decidedly relating to Minimalism, with a fundamentally ruled-based approach, emptied of any expressive features. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideas of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often linked to the human condition. worldwide, an important number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.