Simon Rulquinsimon Rulquin
1982 · France
Simon Rulquinsimon Rulquin is an established mid-career artist, who was born and brought up in France, like other renowned artists such as Philippe Blache, Julian Rey, Léopold Survage, Laura Lamiel, and Natalie Lamotte. Simon Rulquinsimon Rulquin was born in 1982.
Historical Context of France
France strikes out as one of the most influential agents of modernism. What is today referred to as the avant-garde was pioneered in the first half of the nineteenth century, and included innovative and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Critically praised and leading French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was considered to be the most influential and intellectual artistic centre at the start of the century and supported the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which flourished in the post war era.
Further Biographical Context for Simon Rulquinsimon Rulquin
Simon Rulquinsimon Rulquin was born in 1982, grew up during the 1990s and was inspired by the artistic atmosphere of the time. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became famous for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was a developing trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami was to form a significant collective called Kaikaikiki, which became internationally renowned as an artistic group.