Simon Gorm Andersen
Simon Gorm Andersen's exhibition
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This responsiveness is often mixed with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his wistful and extremely sparse interiors, Hammershøi's reputation was founded on his exquisite representations of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.