1974 · Austria
Sevenja Deininger is is an established, mid-career contemporary artist, who originates from Austria, like other renowned artists such as Nick Oberthaler, Eduard Winklhofer, Victoria Coeln, Herbert Golser, and Jana & Js. Sevenja Deininger was born in 1974.
Galleries and Exhibitions
Sevenja Deininger's work is available for viewing at fiebach, minninger in Cologne, Germany. Sevenja Deininger's work has most recently been displayed during the exhibition Current Current at Galerie Bob van Orsouw in Zurich, Switzerland. The exhibition was open from 27 March 2015 until 08 May 2015.
Historical Context of Austria
At the start of the twentieth century, Austria was among the most pioneering and culturally progressive countries. It fostered key developments in the Arts and Crafts Movement and Art Nouveau, called Jugendstil in German, from around 1895 to 1910, forming a key bridge between the nineteenth century and the onset of modernism. This kind of progressive, avant-garde thinking led directly into the Viennese Secession movement, one of the key art and design movements of the early twentieth century. It was founded in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman Koloman Moser, Otto Wagner, and Gustave Klimt, when artists resigned, en masse, from the Association of Austrian Artists in protest against its support for more traditional artistic styles. and an exchange of ideas with international artists, disputing artistic nationalism, renewing the decorative arts and, most crucially, creating a "total art (Gesamtkunstwerk)" that unified painting, architecture, and the decorative arts. The group was strongly opposed to the domination of the official Vienna Academy of the Arts (the Vienna Künstlerhaus), and official art salons, with their traditional orientation toward Historicism. Ultimately the group broke apart, the decorative artists choosing instead to focus on a new guild called the Wiener Werkstatte. In the late 1930s, Austria was annexed by the rising force of Hitler's Nazi Germany, an act known as the Anschluss, and which organised Austria into a province of a greater German Reich. During this period, like in Germany, the Avant-garde was labelled 'Entartete Kunst', translating to 'degenerate art', and was oppressed with only 'official' social realist art being approved, or even allowed by the state. Consequently, there was a great exodus of creative talent who decided that their interests would be best served by relocating to London or New York. In the 20th century, central Austrian artists included Josef Hoffman, Gustav Klimt, Egon Schiele, Herbert Bayer (the typography and graphic design pioneer of the Bauhaus), architect and designer Josef Frank, Oskar Kokoschka, Alfred Kubin, Friedensreich Hundertwasser, Maria Lassnig, Hermann Nitsch, Arnulf Rainer, Franz West and Erwin Wurm.
Further Biographical Context for Sevenja Deininger
Born in 1974, Sevenja Deininger's creative work was primarily inspired by the 1990s. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a central idea in the 1990s. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this idea.
- Galleries Representing this Artist