1941 · United States
Seth Siegelaub is seen as an established artist, who originates from the United States. Seth Siegelaub was born in 1941. Some of the artist's contemporarie that are from the same generation and country include Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Historical Context of United States
The US, especially New York city, endures as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly powerful art centre appeared in the post war era, and the city succeeded in asserting its dominance over Paris, which used to be regarded as the most powerful international art capital. The predominance of the political and economic structures of the United States in the modern sphere has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are essential art movements that flourished in the US. These very movements also echoed into a multitude of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Seth Siegelaub
Seth Siegelaub was born in 1941 and was predominantly influenced by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop espoused the visual culture of the mainstream and mass media, and of products and consumerism. The work of art by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, using things like advertising, comic books and ideas surrounding celebrity culture as their main visual cues. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the initial flowerings of conceptual art. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key components of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Around the world a number of artistic movements resonated the creative concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their idiosyncratic approaches to the human form and the anguish related to the human condition.