1973 · United Kingdom
Sara Mackillop is a mid-career contemporary visual artist, who was born in the United Kingdom. Sara Mackillop was born in 1973. Artists Banksy, Idris Khan and Annie Morris are of the same generation and same country as Sara Mackillop.
Galleries and Exhibitions
Sara Mackillop is represented by two galleries. These are Florence Loewy in Paris, France and Clages in Cologne, Germany. Sara Mackillop's work has most recently been displayed during the exhibition Sara MacKillop « Double Glazed » at Florence Loewy in Paris, France. The exhibition was open from 10 November 2018 until 12 January 2019.
Historical Context of United Kingdom
The UK has been a crucial hub for artistic production for centuries. While it accrued vast wealth through colonisation and the rise of its Empire, it was also unsheltered from the cultural supremacy of other countries and continents. Throughout the modern period, Britain had been significantly overshadowed by the importance of its European neighbours on one side, and of the United States on the other. But towards the end of the 19th century, Britain became a significant centre in the development of the avant-garde. This includes the Arts and Crafts Movement, a major movement setting the tone for artist-led organisations, guilds and organisational co-operative types that would later become into a template of sorts for bohemian artists movements of the Twentieth Century. Ground-breaking artistic movements in British modernism include for instance Vorticism, involving artists related to the Bloomsbury group. Some noteworthy British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley, Paula Rego - and in more recent years the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn, Chris Ofili and others.
Further Biographical Context for Sara Mackillop
Born in 1973, Sara Mackillop's creative work was predominantly influenced by the 1990s. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a divisive reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. The art world was influenced by a number of trends throughout the 1990s, the controversial, hyper-realistic sculptures of Maurizio Cattelan and the sensitive, conceptual work of Felix Gonzalez-Torres characterised the atmosphere of the era.