1942 · United States
Sanford Wurmfeld is regarded as a well established artist, who originates from the United States. Sanford Wurmfeld was born in 1942. Born in the same country and around the same year are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Sanford Wurmfeld's work is available for viewing at Minus Space in New York, the United States. Sanford Wurmfeld's work has most recently been displayed during the exhibition Variations at Minus Space in New York, the United States. The exhibition was open from 02 March 2019 until 20 April 2019.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural importance of New York asserted its influence over Paris, previously considered as the most important art centre internationally. Leading art movements developed and cultivated in extensive ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many movements. In the modern and contemporary era, the United States has cultivated a prevailing influence over the global visual culture, due to the dominion of its economic and political systems. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Sanford Wurmfeld
Born in 1942, Sanford Wurmfeld's creative work was predominantly inspired by the 1960s. In the art sphere, a multitude of powerful changes were also taking place. Pop Art, adopting the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the bases on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aiming for pure visual responses. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, pure lines and geometrical elements. Exploring further into some of the ideas inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with a fundamentally ruled-based approach, devoid of any expressive aspect. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often linked to the human condition. worldwide, a significant number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.