1978 · Denmark
Saima Asghar is an established mid-career contemporary artist, who was born in Denmark. Saima Asghar was born in 1978. Some of the artist's contemporaries that are born around the same year and in the same country include Jeppe Hein and Jesper Just.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern frontiers. This responsiveness is often mixed with the Nordic traits of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Saima Asghar
Born in 1978, Saima Asghar was primarily influenced by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a divisive reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. The art world was influenced by a number of trends throughout the 1990s, the divisive, hyper-realistic sculptures of Maurizio Cattelan and the sensitive, conceptual work of Felix Gonzalez-Torres characterised the cultural tone of the era.