1940 · Switzerland
Rosina Kuhn is regarded as a well established artist, who originates from Switzerland, like other renowned artists such as Luca Marziale, Adrian Schiess, Carole Freysz Gutierrez, Arnaud Wohlhauser, and René Myrha. Rosina Kuhn was born in 1940.
Rosina Kuhn's exhibition
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the development of Modernism was the formation of the Dada movement in Zurich in 1916. Its initial members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly evolved into an vital centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a shelter from political uncertainty elsewhere in Europe. precedingly, Switzerland had produced some quirky and extraordinary artists in the Post-Impressionist era of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another major movement that can be attributed to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Key Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Rosina Kuhn
Born in 1940, Rosina Kuhn was primarily inspired by the 1960s. The universal impact of the 1960s was truly sensational across the globe. Evocative of a time inspiring both hope and anger, the 1960s triggered an explosion of new philosophies and movements, truly sensational and ground-breaking. Historically set in the context of the Cold War, which would have a highly powerful impact globally, mainly defined by the Iron Curtain dividing Europe both physically and spiritually, and significantly marked by the construction of the Berlin Wall in 1961. The 1960s re-defined all pre-existing assumptions on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The incredible escalation of mass consumerism also defined the era, engendering new trends in marketing and advertising. Minimalism established the crucial idea that art should exist in its own reality, and not try to represent the physical world. Born of a desire to eradicate all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental philosophies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own distinctions and scopes, particular to different regions or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the philosophy of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who strived to depict the raw human emotions often connected to reflections on death and the haunting anxiety of the meaninglessness of life.