Roberts, Stone

1951 · United States

Artist biography

Roberts, Stone is seen as an established artist, who originates from the United States. Roberts, Stone was born in 1951. Artists Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons are of the same generation and same country as Roberts, Stone.

Historical Context of United States

The United States has been a major country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural prominence of New York assumed primacy over Paris, formerly considered as the most important art hub worldwide. Major art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern repetitions of these many types. In the modern and contemporary sphere, the United States has exercised a prevailing influence over the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Roberts, Stone

Born in 1951, Roberts, Stone was largely inspired by the 1970s growing up. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Rejecting traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.

Roberts, Stone

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