Ricardo Morin is considered as a well established. Ricardo Morin was born in 1954. Also born in 1954 and of this same generation are Carlos Barea, Schroeder James Cherry, Jean-Louis Delbes, Michel Dilvit, and Claude Dutertre.
Further Biographical Context for Ricardo Morin
Ricardo Morin was born in 1954 and was primarily influenced by the 1970s. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen itself, as a reaction to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art materialized by combining essential aspects of Conceptualism with further reflections on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its prominence, predominantly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists wandering through the downtown scene, visiting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and refined cultural capital. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideologies of phenomenology, allied with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to give life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency.