Reynard Milici was a visual artist. Reynard Milici was born in 1942. Also born in 1942 and of this same generation are Ruffin Cooper, Jeroen Henneman, Greger Johansson, Herman Baert, and Paolo Frongia.
Further Biographical Context for Reynard Milici
Born in 1942, Reynard Milici grew up during the 1960s and was influenced by the artistic atmosphere of the time. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism established the crucial idea that art should exist in its own reality, and not try to represent the physical world. Born of a desire to eradicate all pre-established notions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became significant through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was a fundamental by-product of the latter, at the same time critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different regions or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.