1956 · United States
Rex Ray is seen as an established contemporary artist, who originates from the United States. Rex Ray was born in 1956. Some of the artist's contemporarie that are from the same generation and country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Rex Ray in private collections
On Artland Rex Ray's works can be found in the following collection: Dick Mac which, for instance, also has works by other prominent and critically acclaimed artists including Farhad Farzali, Hur Kyung-Ae, and Marie Kølbæk Iversen.
Historical Context of United States
The United States has been a major country in the evolution of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural prominence of New York assumed primacy over Paris, formerly thought of as the most powerful art hub worldwide. Leading art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variations, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many movements. In the modern and contemporary era, the United States has exercised a powerful influence upon the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Rex Ray
Born in 1956, Rex Ray was predominantly inspired by the 1970s. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen itself, as a response to the many conflicts of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art emerged by combining essential aspects of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism sprung from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with international artists wandering through the downtown scene, frequenting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and sophisticated cultural capital. A few significant international movements that defined the era include photorealism, which was firstly introduced in the 1960s and reached commercial and critical success in the 1970s, as well as feminism which had a strong impact on the visual culture.