1977 · Denmark
Rebekka Kaasgaard is an established mid-career artist, who was born in Denmark. Rebekka Kaasgaard was born in 1977. Some of the artist's contemporarie that are from the same generation and country include Jeppe Hein and Jesper Just.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern limits. This responsiveness is often combined with the Nordic traits of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his exquisite representations of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Rebekka Kaasgaard
Rebekka Kaasgaard was born in 1977 and was primarily influenced by the 1990s growing up. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became known for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. A proliferation of trends characterised the decade, including the highly derisive sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as evidenced by the work of artists like Felix Gonzalez-Torres.