Rebecca Norris Webb

1956 · United States

Artist biography

Rebecca Norris Webb is an established contemporary artist, who originates from the United States. Rebecca Norris Webb was born in 1956. Born in the same country and around the same year are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.

Rebecca Norris Webb's Gallery representation

Rebecca Norris Webb's work is on display at Robert Koch Gallery located in San Francisco, the United States.

Historical Context of United States

The United States, especially New York city, endures as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art hub came to be in the post war era, and the city thrived in asserting its dominance over Paris, which used to be regarded as the most powerful global art centre. The authority of the political and economic structures of the United States in the modern sphere has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that blossomed in the US. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Rebecca Norris Webb

Rebecca Norris Webb was born in 1956 and was predominantly influenced creatively by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unchanged intact.

Rebecca Norris Webb