1929 - 2013 · Denmark
Ragna Braase was a visual artist, who was born in Denmark. Ragna Braase was born in 1929 and died in 2013. Some of the artist's contemporaries that are born around the same year and in the same country include Johannes Carstensen and Per Kirkeby.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, which borders its southern limits. This responsiveness is often combined with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in modest, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's vivid colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Ragna Braase
Born in 1929, Ragna Braase's creative work was largely influenced by the 1950s. In the Post-War period the lens of modernism was focused, in terms of international attention, on developments in New York City. The Second World War had brought many prominent artists to the city in exile from Europe, leading to a substantial pooling of talent and ideas. Important Europeans that came to New York and provided inspiration for American artists included Piet Mondrian, Josef Albers and Hans Hoffmann, who between them set the grounds for much of the United States’ significant cultural growth in the subsequent decades.
It can be said that the 1950s were dominated by Abstract Expressionism, a form of painting that prioritised expressive brushstrokes and explored ideas about organic nature, spirituality and the sublime. Much of the focus was on the formal properties of painting, and ideas of action painting were unified with the political freedom of the United States society as opposed to the strictures nature of the Soviet bloc.
Influential artists of the Abstract Expressionist Generation included Jackson Pollock (who innovated his famed drip, splatter and pour painting techniques), Willem de Kooning, Mark Rothko, Frank Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb. It was a male dominated environment, but necessary revisionism of this period has emphasised the contributions of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois, amongst others.