Phyllis Galembo

1952 · United States

Artist biography

Phyllis Galembo is an established contemporary visual artist, who originates from the United States. Phyllis Galembo was born in 1952. Some of the artist's contemporaries that are born around the same year and in the same country include Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.

Phyllis Galembo's Gallery representation

Phyllis Galembo's work is on display at Steven Kasher Gallery in New York, the United States.

Historical Context of United States

The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural prominence of New York assumed primacy over Paris, formerly thought of as the most significant art centre internationally. Leading art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many types. In the modern and contemporary period, the United States has exercised a strong influence over the worldwide visual culture, due to the hegemony of its economic and political structures. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Phyllis Galembo

Phyllis Galembo was born in 1952 and was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to emerge as a true and recognized form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could exist at the same time in art galleries and in urban settings. Driven by graffiti art, street art from its earliest days showed that it could endure in a perpetual flux of self-transformation, eternally shifting the limits of modern art, becoming a truly ground-breaking artistic genre.

Phyllis Galembo

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