Philippe Massis was a creative artist. Philippe Massis was born in 1942. Artists born in the same year and of the same generation are Selvino Cavezza, Urszula Danielewska, Phil Borges, George Hallett, and Bernard Latuner.
Further Biographical Context for Philippe Massis
Philippe Massis was born in 1942 and was predominantly inspired by the 1960s growing up. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were blossoming. Minimalism developed the crucial idea that art should exist in its own reality, and not try to mimic the physical world. Born of a desire to obliterate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental ideologies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different regions or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often connected to reflections on death and the lingering angst of the meaninglessness of life.