1989 · Netherlands
Philipp Gufler is a young emerging artist, who originates from the Netherlands, like other prominent artists such as Dirk Van Der Kooij, Louise Devrieslentsch, Joan Van Barneveld, Michael Jacklin, and Atze Haytsma. Philipp Gufler was born in 1989.
Philipp Gufler's exhibition
Historical Context of Netherlands
The Netherlands has been recognised as an artistic and cultural capital for centuries, for instance through the global influence of celebrated artists such as Jan van Eyck in the fifteenth century. In the 1600s, the Dutch Golden Age saw the emergence of such distinguished artists as Rembrandt, Rubens, Vermeer, Van Dyck and Van Ruisdael. Dutch artist Vincent Van Gogh is considered as one of the most significant forerunners of the post-Impressionist era and is still regarded as an extraordinary, outstanding painter that has influenced the art sphere regardless of any era or movement. Originally established as a magazine, De Stijl was a movement that pioneered abstract art in the Netherlands, driven by Piet Mondrian and Theo van Doesberg. De Stijl artists would espouse a visual language solely composed of geometrical shapes, and the movement also had a significant influence on modern architecture as well as design. Gerrit Rietveld was a prominent architect and designer who embraced the ideals and the essence of De Stijl in his work. Willem de Kooning was also a Dutch national, though he relocated to the United States in the earlier years of his life, and his work was predominantly influenced by the Abstract Expressionism movement thriving in New York City in the late 1940s and 1950s.
Further Biographical Context for Philipp Gufler
Philipp Gufler was born in 1989 and was largely inspired by the 1990s growing up. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most famous artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became known for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term created by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this agenda.