Peter Randall-Page is an established contemporary visual artist. Peter Randall-Page was born in 1954. Artists Eva Kwong, Víctor Ochoa Sierra, Emilio Parrilla, Misstic, and Nadezhda Vitalevna Dneprovskaya are of the same generation.
Further Biographical Context for Peter Randall-Page
Peter Randall-Page was born in 1954 was primarily influenced by the distinctive cultural milieu of 1970s. The art sphere of the 1970s was characterized by a longing to grow and strengthen itself, as a reaction to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative voyage of Process art emerged by combining essential elements of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, predominantly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York persisted as the most prominent artistic hub of the decade, with global artists wandering through the downtown scene, frequenting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and refined cultural capital. Most of the dominant artistic figures of the 1960s remained greatly influential and admired throughout the 1970s. Andy Warhol, for instance, fortified his status as a legendary artist, by branching out into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such fame. Artists such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto attained worldwide success, as they were widely recognized as renowned members of the Italian movement Arte Povera, critically acclaimed in the 1970s. A few significant global movements that sharpened the decade include photorealism, which was firstly introduced in the 1960s and reached commercial and critical success in the 1970s, as well as feminism which deeply influenced the visual culture. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideologies of phenomenology, associated with the Mono-Ha movement, exploring and shifting the boundaries between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to give life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency. Towards the end of the 1970s, street art, developing from graffiti, was starting to truly captivate the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, demonstrating that their artworks could exist at the same time in art galleries and on city walls. Following, the global reach of street art would become extremely influential, representing an extraordinary form of artistic expression.