1971 · Italy
Paola Pivi is seen as an established mid-career artist, who was born and brought up in Italy, like other renowned artists such as Bottarelli Maurizio, Filippo Cegani, Valerio Nicolai, Micol Assaël, and Mattia Papp. Paola Pivi was born in 1971.
Galleries and Exhibitions
Paola Pivi's work is available on display in multiple galleries around the globe such as in the United Kingdom, Italy, and the United States. Some of those galleries are Massimo De Carlo | London in the United Kingdom, as well as Massimo De Carlo | Lombardia and Massimo De Carlo | Piazza Belgioioso in Italy. Paola Pivi most recent exhibition recorded on Artland was at Leila Heller Gallery | New York in the United States with the exhibition Double Vision. The exhibition was open from 13 May 2019 until 14 October 2019.
Historical Context of Italy
The classical era of the Romans has exerted a significant influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its splendid artistic heritage. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which signifies “rebirth”. From the early 1400s, the Renaissance has been an intense era of cultural and political awakenings, inducing revivals in art, architecture, music, poetry and philosophy. Although significantly tormented by the fascism of Mussolini in the modern and contemporary period, Italy has never lost its place as one of the most powerful artistic centres, home to pioneering movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Paola Pivi
Born in 1971, Paola Pivi's creative work was primarily inspired by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was a developing trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami formed an influential group called Kaikaikiki, which became internationally renowned as an artistic group.