1959 · United States
Pamela Golden is an established contemporary visual artist, who was born in the United States. Pamela Golden was born in 1959. Born in the same country and around the same year are Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural importance of New York assumed primacy over Paris, formerly considered as the most significant art hub in the world. Leading art movements established and fostered in important ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern iterations of these many movements. In the modern and contemporary age, the United States has cultivated a powerful influence upon the visual culture of the World, due to the dominion of its economic and political systems. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Pamela Golden
Pamela Golden was born in 1959 and was predominantly influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic hub of the era. All over, numerous movements defined the 1970s. Amongst others, feminism and the innovative radical theories it entailed strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic pillars of New York city started to embrace painters and sculptors from Latin America.