1985 · United Kingdom
Oliver Beer is seen as an established mid-career artist, who was born in the the United Kingdom, like other well-known artists such as Julian Germain, Haroon Mirza, Matthew David Smith, Laura Pannack, and George Blacklock. Oliver Beer was born in 1985.
Oliver Beer's Gallery representation
Oliver Beer's work is available for viewing at Galerie Thaddaeus Ropac | Salzburg Halle in Austria.
Historical Context of United Kingdom
The United Kingdom has been an important centre for artistic production for centuries. While it gained tremendous wealth through colonisation and the ascent of its Empire, it was also unsheltered from the cultural influences of other countries and continents. In the modern era, Britain had been largely eclipsed by the importance of its European neighbours on one side, and of the United States on the other. But in the late 19th century, Britain became an important centre in the development of the avant-garde. This includes the Arts and Crafts Movement, a major movement paving the way for artist-led organisations, associations and organisational co-operative types that would later become into a template of sorts for bohemian artists movements of the Twentieth Century. Ground-breaking artistic movements that characterize British modernism include for instance Vorticism, comprised of artists associated with the Bloomsbury group. Some significant British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley, Paula Rego - and in more recent years the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn, Chris Ofili and others.
Further Biographical Context for Oliver Beer
Born in 1985, Oliver Beer was predominantly inspired by the 1990s growing up. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a key idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this outline.