1953 · Italy
Nino Longobardi is an established artist, who originates from Italy, like other renowned artists such as Vincenzo Cabiati, Roger Corona, Maddalena Sisto, Pasquale Tabasco, and Mario Airò. Nino Longobardi was born in 1953.
Historical Context of Italy
The classical era of the Romans has exerted a consequential influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its sumptuous artistic legacy. Italy is also the country that epitomizes the Renaissance, “Riniscita” in its original language, which translates to “rebirth”. From the early 1400s, the Renaissance has been an intense period of cultural and political awakenings, inducing revivals in art, architecture, music, poetry and philosophy. Although significantly affected by the fascism of Mussolini in the modern and contemporary era, Italy has never lost its place as one of the most essential artistic centres, home to cutting-edge movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Nino Longobardi
Born in 1953, Nino Longobardi was predominantly inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the era. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.